Timeline

Timeline

Stomacher
1700s

Stomacher

Acquired from Jenny Pearson Stomachers were flat, roughly triangular pieces of fabric that were pinned...

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Waistcoat
1720s

Waistcoat

Acquired from Jenny Pearson Probably the earliest waistcoat in the John Bright Collection this example...

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Apron
1730s

Apron

The apron is generally considered a garment of practical use today, but this 18th Century...

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Stomacher
1740s

Stomacher

Acquired from Jenny Pearson Stomachers were flat, roughly triangular pieces of fabric that were pinned...

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Coat
1750s

Coat

Made from unadorned practical wool fabric, this coat is characteristic of the everyday wear of...

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Coat and Waistcoat

This coat and waistcoat would originally have been part of a suit with breeches of...

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Coat
1770s

Coat

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Coat
1780s

Coat

By the last decades of the 18th Century wool had taken over from silk as...

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Court Dress Coat

Once part of a suit with breeches of the same fabric and a waistcoat, probably...

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Shoe
1800s

Shoe

Acquired from the costume designer Dinah Collin. Found abandoned in a theatre more than thirty...

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Stole
1810s

Stole

The production of luxury accessories such as the fashionable stoles of the early 19th Century...

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Stole
1820s

Stole

The production of luxury accessories such as the fashionable stoles of the early 19th Century...

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Bodice and Inner Sleeve Supports

This bodice was once a dress which has had its skirt roughly cut away below...

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Dress
1840s

Dress

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Dress
1850s

Dress

This is a classic example of a summer day dress of the period with its...

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Dress
1860s

Dress

Fashionable garments made from expensive, richly trimmed materials, originally worn by the upper classes, survive...

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Dress
1870s

Dress

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Dress
1880s

Dress

After decades of fullness, supported by horsehair petticoats, crinoline cages and bustles, the skirts of...

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Bodice
1890s

Bodice

This bodice was used as a model by designer Hildegard Bechtler for that worn by...

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Dress
1900s

Dress

Acquired from Margaret Wicks Label: ‘Manton Patrick Court Dressmaker 44 Baker St. W.’   The...

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Shoes
1910s

Shoes

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Shoes
1920s

Shoes

Acquired from the collection of the costume designer Shirley Russell. Stamped: Perugia, 11 Faubg St Honoré,...

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Scarf
1930s

Scarf

Printed scarves of bias-cut silk or rayon, worn knotted around the neck with the ends...

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Shoes and Gas Mask Bag

Gas Mask Bag, Early 1940s Shoes, 1940s Bag acquired from costume designer Charlotte Holdich In...

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Shoes
1950s

Shoes

These pink leather court shoes, each trimmed with a leather flower finely piped in white...

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Boots
1960s

Boots

Designed by Mary Quant. ‘Quant Afoot’ boots were being advertised in the winter of 1967-68...

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Tunic Coat
1970s

Tunic Coat

Label ‘Bill Gibb London’ The Scottish fashion designer Bill Gibb collaborated with the knitwear designer...

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Jacket and Trousers / Jacket with Matching Sash or Scarf

These garments belonged to the late Chilean artist Mariella Phillips who moved to London to...

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1990

18th Century Overview

The silhouette of the early 18th Century is suggested here with a reproduction gown, made by Cosprop, that frames an original stomacher, one of the earliest pieces in the collection. Some fine examples of 18th Century dress, including gowns of brocaded silk, embroidered waistcoats and ornate stomachers, can be found in this section.

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19th Century Overview

This dress dates from the beginning of a century which sees the evolution of the female silhouette from high-waisted tubular dresses, through bell-shaped skirts and full sleeves, to elaborate gowns worn over cage-crinolines and bustles.

An outline of these fashion changes can be seen in the Dresses section.

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20th Century Overview

The relatively simple line of this dress marks the move away from fashions dependent upon unnatural understructures, such as the crinolines and bustles of the 19th Century, towards more practical clothing attuned to new lifestyles in which work, leisure, sport and two world wars played a significant part.

Garments in this section include costumes worn in Diaghilev’s Ballets Russes productions, which had a major impact not just upon the ballet world but also on international fashion, souvenirs from two coronations, and suits, dresses and accessories block-printed by the firms Footprints and Crysede.

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